The salong is supported by a wooden gallery, essentially a haung (platform), with four distinct gallery rows—the first broad, the following three progressively narrower. Post-independence, a small baoder-like structure was added near the rear to house a shrine, and whitewashed walls replaced the original wooden surfaces, which had deteriorated by the 1970s. The 45.5-degree pitched tumpal (pagoda cap) features jagged tiering resembling a multi-sided spire, while the hipped roof is gabled with decorative ridge-tail elements draped in black and green tiles, accented with crimson murals and gold detailing: ensemble elements echoing historic Kelantanese pagoda trends.

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**The Salong Supported by a Wooden Gallery: A Design Rooted in History and Culture** In the quiet corners of coastal real estate and heritage preservation circles, a quiet conversation is gaining momentum: what makes the salong’s layout—especially its striking wooden gallery with four progressively narrowing gallery rows—so compelling and enduring? This architectural feature, supported by a traditional haung (platform), blends structural grace with cultural storytelling. Rooted in historical design, the salong’s layout reflects both practical craftsmanship and regional identity, particularly influenced by Kelantanese traditions now recognized for their enduring elegance in Southeast Asian vernacular architecture. ### The Architecture of Identity: Origins and Evolution Built on the principles of open-air communal space, the salong’s wooden gallery forms a broad, horizontal base that widens or narrows in tiers across three narrower gallery rows. This vertical rhythm creates dynamic visual flow while maintaining structural integrity—design evolution shaped by centuries of localized adaptation.