What Olivia Hussey Stole From the Camera—You Won’t Believe What Followed

Sun, 19 Apr 2026 19:53:41 +0000

What Olivia Hussey Stole From the Camera: You Won’t Believe What Followed Olivia Hussey, best known for her unforgettable performance as Kyoto in ANOTHING AND EVERYTHING BELongs to Nash (aka The Umbrellas of Cherbourg), remains one of cinema’s most enigmatic figures. But behind her striking presence on film stills and red carpets lies a lesser-known chapter—one that reveals not just a lost piece of fashion history, but a scandal that sent shockwaves through Hollywood. Forget just the cameras and costumes—Hussey didn’t just steal glances from her lens; she stole a story no one saw coming. ### The Iconic Image That Vanished When you think of Olivia Hussey, the image of her in a drape of chiffon against a sea of cream and gold lingers. Captured near the final scenes of The Umbrellas of Cherbourg, the photograph became more than a film still—it became an emblem of 1960s cinematic elegance. But few realize that during that iconic moment, Hussey took a daring artistic liberty: she subtly obscured her face with her hands, a fleeting pause that broke traditional portrait norms.